.gitlab-ci.yml

-image: python:alpine
+image: python:3.8-slim
 
 before_script:
   - pip install -r requirements.txt

docs/assignments/week01.md

@@ -27,6 +27,12 @@ Also Fiore's tutorial has been very helpful here:
 
 \* *I notice I'm becoming one of those people who writes documentation but doesn't explain the steps that already feel "normal" to me. Hmmm. I'll have a think to think what I think about that.* 
 
+## OR: push via http and access tokens
+
+Later on I started using my Github Desktop app for a bunch of other stuff and my connection stopped working. I couldn't figure it out so I deleted the repository and cloned it anew over http. This [tutorial](https://itnext.io/how-to-use-github-desktop-with-gitlab-cd4d2de3d104) by Shedrack Akintayo explains how to use access tokens push without having to re-enter your password when pushing over http. Amazeballs, thank you Shedrack!
+
+
+
 ## Customizing text, fonts, colors in the mkdoc
 
 I customized some basic stuff to change the look of the page. I love the font Karla, we use it for everything where I work, so I'm using it here too. I think you can basically look up any Google Font and use it. I liked the idea of having a special font for code, so I specified one for that as well. 
@@ -106,5 +112,108 @@ Then you keep the code you want to keep, delete the conflicting code and the mar
 ![](../images/wk1_solved.jpg)*conflicts resolved!*
 
 
+##State of the art & inspiration
+
+## Inspiration
+
+### Fabricademy graduates
+
+![](https://gitlab.fabcloud.org/academany/fabricademy/2019/students/jessica.stanley/raw/master/docs/images/finalproject/stitchsyth2.gif)*Jessica Stanley's Stitch Synth project, 2019*
+
+**Jessica Stanley's Stitch Synth**
+I saw [Jessica's work](https://class.textile-academy.org/2019/jessica.stanley/projects/00final-project/) at the last Fabricademy expo in Amsterdam. Super nicely done. 
+
+I also really liked her experiments with tesselation in the Textile as Scaffold week. The slow movements the textile creates are really nice to watch. 
+
+And also her voronoi for [computational couture](https://class.textile-academy.org/2019/jessica.stanley/assignments/week07/) are so cool. She printed these shapes on stretchy fabric, making the textile pull itself into a 3D shape. 
+
+And the pleat switch and this sensor below. OMG Jessica  stop it nowwww I'm totally fangirling your fabricademy page. This makes me think I will really enjoy the electronics work in the next few months.
+
+![](https://media.giphy.com/media/5k0rrSdjXmmQ68mABP/giphy.gif)*Jessica Stanley, 2019*
+
+**Teresa van Twuijver's analog soft sensor**
+[Teresa](https://class.textile-academy.org/2019/teresa.vantwuijver/assignments/week05/) made this nice soft sensor using smock embroidery. I'd seen a similar thing on kobakant once, wow it's soooooo nice. 
+
+![](https://gitlab.fabcloud.org/academany/fabricademy/2019/students/teresa.vantwuijver/raw/master/docs/images/week5_softsensorproto2.gif)*Teresa van Twuijver, 2019*
+
+Her [circular fashion designs](https://class.textile-academy.org/2019/teresa.vantwuijver/assignments/week03/) are also quite cool! 
+
+**Barbara's Kombucher!**
+Really cool idea to make a tool like this [kombucha fiber printer](https://class.textile-academy.org/2019/barbara.arteaga/projects/final-project/)
+
+<iframe width="560" height="315" src="https://www.youtube.com/embed/cuHtJgnv2qU" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
+
+And many many more...
+
+### Go big or go home: drag performers and other style queens
+This is something I've been obsessed with for a long time. I think the innovative ways of thinking about the malleability and unstable nature of the body and gender is super interesting and made me fall in love with this art form. I do it myself sometimes too :) No RuPaul quote is lost on me (we're all born naked and the rest is...you know the rest). I'd love to take as many assignments as possible closer toward something that might be applicable in the context of the art of drag to develop into a larger project later. I imagine eco-aware drag could be a very interesting avenue to explore. In the meantime, I'll summarize as: go big, or go home.
+
+**House of Holographic Hoes and Milk X Hana Quist**
+
+A local house who did an amazing show at last year's superball, with over the top LED powered gowns. I mean, I don't really like LED strips so much, especially not in clothing but context IS everything.
+
+Or drag performer Milk in this knitted number by Hana Quist. Oh yes. 
+
+![](../images/wk0_drag.jpg)*Left: House of Holographic Hoes at Paradiso's Superball, 2019. Right: Drag performer Milk in a knitted garment by Hana Quist*
+
+**Other fabulous drag performers and style queens**
+
+Such as Aynouk Tan - you can worry about the clothing mountain - or just dress up as one. I think [her thinking and personal style](https://www.aynouktan.com/) are really out there.
+
+![Aynouk Tan](https://aynouktan.com/____impro/1/onewebmedia/10827970_10153943396384659_1941713512951619825_o-2.jpg?etag=%22464ea-58ef9af9%22&sourceContentType=image%2Fjpeg&ignoreAspectRatio&resize=700,467)*Aynouk Tan with a mic and smiling lady in black*
+
+**I bow to Valeska Jasso Collado for her graduation collection**
+
+These theatrical garments have an amazing genderclowning vibe about them, they remind me of [1920s Bauhaus costumes](https://cdn.vox-cdn.com/thumbor/U4wEGXhe1duKVyacjE6z3KsIFZg=/0x0:1000x645/1200x800/filters:focal(420x243:580x403)/cdn.vox-cdn.com/uploads/chorus_image/image/57322995/escola_bauhaus.0.0.jpg)and I love it! She folded latex-covered foam into [geometric garments](https://www.dezeen.com/2014/06/09/valeska-jasso-collado-westminster-fashion-collection/). 
+
+![](https://i.pinimg.com/originals/3f/fd/40/3ffd409a341499881843557a29ac5b6f.jpg)*image by Valeska Jasso Colado*
+
+### Textile artists/designers/upcyclists/hackers
+
+![](../images/wk0_designinspiration.jpg)
+
+*Images: Golden Joinery (image by Droog) in the background, Justyna Wolodkiewicz' embellishments  (left) and Anya Hindmarch's embellished skirt (image by Stuart C. Wilson/Getty Images Europe)*
+
+**[Golden Joinery](http://goldenjoinery.com/#about) or kintsugi for clothing, by Painted Series** is a really nice example of repair as a design strategy that adds value to used things.
+
+I really enjoy the hectic **embellishments by Justyna Wolodkiewicz** and the one on the **pink skirt by Anya Hindmarch** There's loads out there. One reason why I like this is because I imagine picking cleverly from waste materials will allow for a lot of cool designs. They can also be combined with electronics perhaps? I really like the 3D textures you can add with this.
+
+**Coral Love Stories by Kasia Molga (and Erik Overmeire)** below is such a beautiful combination of fashion and electronics and thermochromic pigments. It's very subtle, unlike some other sources of inspiration but I just think this is beautifully done and tells an important story about shringking coral reefs.  
+
+<div style="padding:56.25% 0 0 0;position:relative;"><iframe src="https://player.vimeo.com/video/211299558?color=00d554&byline=0&portrait=0" style="position:absolute;top:0;left:0;width:100%;height:100%;" frameborder="0" allow="autoplay; fullscreen" allowfullscreen></iframe></div><script src="https://player.vimeo.com/api/player.js"></script>*Coral Love Story by Kasia Molga (with Erik Overmeire and Ricardo O'Nascimento)*
+
+And let's not forget the amazing experiments and documentation done by **[Plusea on the Kobakant How to Get What You Want page](https://www.kobakant.at/DIY/)**, such as this beardy sway sensor....*bows*.
+
+![](https://live.staticflickr.com/65535/47790755952_9b33dd38fa.jpg)
+
+Last but not least, a shop! **[Mooizooi in Haarlem](https://mooizooi.org/)!** This is a social enterprise that collects waste materials from industry, sort it by color, and sell it for almost nothing. I'd love to stop by there and use only this leftover material, for example to make the embellishments like the ones below. 
+
+**My own students who have inspired me!** 
+
+The students I get to know during the minor Makers Lab continue to inspire, teach and challenge(!) me loads. Some of their experiments were really great!
+
+![](../images/wk0_studentwork.jpg)
+
+Top left is Geert Lens' textile touchscreen entirely made from scratch (2018). He developed a ropemaker to insulate conductive thread, a loom to make the textile, and of course programmed the sensor himself.
+
+Geert also made this glove (bottom left) that vibrates when it senses peaks in electromagnetic fields, such as when a subway train pulls out of a station (together with Anton Westin and Jaap Spruitenburg 2018). The wanted to explore invisible signals in the city and found that some people are extremely sensitive to EMFs, whereas most of us aren't even aware of them.
+
+Melissa de Bie and Elisa van der Burg's and bioplastics experiments to research how they could make the gorgeous tote bag in 2019 (middle).
+
+Kristin Jakubek & Frida Eriksson's skin sensor (with some help of Geert) from 2018 (top right).
+
+Geert's coils that pick up some residue energy from RFID scanners, just enough to light up an LED (bottom right). 
+
+### Books
+* Radical Matter: Rethinking Materials for a Sustainable Future by Kate Franklin
+* Zeroes and Ones by Sadie Plant
+* Fray by Julia Bryan-Wilson
+*  Folding Techniques for Designers From Sheet to Form by Paul Jackson
+* Supersurfaces" Folding as Method of Generating Forms for Architecture, Products and Fashion by Sophia Vyzoviti
+
+That's it for now!
+
+
+
 
 

docs/assignments/week03.md

 # 3. Circular fashion
 
-![]()<br>
-*Image of the final result of the week*
+![](../images/wk3final1.jpg)<br>
+*One of the final designs made with the modules, Loes Bogers, 2019*
 
 
 ##Assignment must-haves
@@ -195,14 +195,51 @@ Not entirely, because of the fact that I have 7 pieces. I cannot nest them seaml
 ![](../images/wk03_cutfile.jpg)<br>
 *Cutfile for the six modules, Loes Bogers*
 
+![](../images/wk3basket.jpg) Round and round we go, tinkering with the modules, Loes Bogers, 2019. 
+
 ## Assembling
 
+In the end I tinkered a lot with the modules to see how I could combine them to create various shapes. I made big sheets combining different modules, by going bigger or smaller per row to understand what kind of shapes it would create. I didn't quite realize how long it was going to take me to create a big surface, and I ran out of material so I settled on a garment I could make with the amount of modules I'd cut. 
+
+**The mad hatter**
+I quite liked the crazy crowns and hats that came out but thought they were really a bit to straight, considering the work I'd put in to try make curves and 3D shapes. 
+
+![](https://media.giphy.com/media/S8O6BQcPNN0I9LEkGj/giphy.gif)<br>*Mad hatter experiments with the modules, Loes Bogers, 2020*
+
+**Shoulder piece/choker/headpiece in one**
+I thought that the curvy shape it was making could work really nicely as a sort of necklace/choker/harness that follows the curves of my neck and shoulders. And it turned out it also works as a headpiece. Very maleficents. 
+
+![](https://media.giphy.com/media/Lnbx3LU39qhjw68tcE/giphy.gif) <br> *Option 3: a maleficent inspired headpiece, Loes Bogers, 2019*
+
+
 ## The not-so-ultimate ikea guide to DIY this
 
 ### Design files
+
+To make this piece you need to cut these amounts of modules 3-6 (modules 1-2 are too small and fragile, module 7 is a bit too big for this), or more/less depending on your size. I'm a size UK10, EUR38. 
+
+| Row    |  Amount    |  Module |
+|-----|-----------------|---------|
+| 1 | 21x | module 3 |
+| 2 | 21x | module 3 |
+| 3 | 21x | module 4 |
+| 4 | 21x | module 4 (turned 90 degrees counter clockwise) |
+| 5 | 21x | module 5 (orientation like row 4) |
+| 6 | 21x | module 6 (orientation like row 5) |
+| 7 | 21x | module 6 (orientation like row 5) |
+
+Find the .ai design files [here](../files/wk03_modules.ai). These were cut with the settings speed 150, power 25.
+
+![](https://media.giphy.com/media/WtVPTtZZzHF7xLk7tx/giphy.gif)<br>*option 1 and 2: a shoulder piece or a choker, Loes Bogers, 2020*
+
 ### How-to
 
-## Room for improvement?
+The design for the choker, the shoulder piece and the head piece are all the same. Starting from the left ear, you want to start with a row of 21 x module 3, and then to that line start attaching the other modules following the table above. 
+
+For a headpiece you might want to mount it on a plastic head band/tiara, or secure it to your hair or wig with bobby pins. 
+
+![](../images/wk3howto.jpg)
+
 
 ## Tutorial by Cecilia
 

docs/assignments/week04.md

@@ -11,9 +11,9 @@ The students in the Amsterdam lab collaborated to make a shared repository of dy
 ![](../images/wk04_collage.jpg)*A love affair with cabbage, Loes Bogers 2019*
 
 **Dying silk with bacteria**<br>
-And lastly, dyed a piece of silk using Serratia Marcensis grown and nurtured by Cecilia and her collaborators at the Biolab. We cooked the growing medium together, sterilized together and each dyed our own piece of silk: 
+And lastly, dyed a piece of silk using Serratia marcenscens grown and nurtured by Cecilia and her collaborators at the Biolab. We cooked the growing medium together, sterilized together and each dyed our own piece of silk: 
 
-![](../images/wk04_bacteriasilk2.jpg)*Silk died with Serratia Marcensis, Loes Bogers 2019*
+![](../images/wk04_bacteriasilk2.jpg)*Silk died with Serratia marcenscens, Loes Bogers 2019*
 
 **Inks**<br>
 We made a range of inks based on the dye recipes (some modified, others not) and experimented with it on paper, using several modifiers. 
@@ -242,10 +242,10 @@ Once you start working with the bacteria themselves: close doors and windows to
 
 Sign in and out and clean up your dishes. Through away the water after. 
 
-###Meeting Serratia Marcensis
-We met Serratia Marcensis! A red/orange beauty that gives us pink (in acidic solutions) if you treat her well and feed her peanut butter. They used to keep a purple one too but sadly it died when the freezer broke over summer. You have to keep her alive by giving her new food every few days (replating). 
+###Meeting Serratia marcenscens
+We met Serratia marcenscens! A red/orange beauty that gives us pink (in acidic solutions) if you treat her well and feed her peanut butter. They used to keep a purple one too but sadly it died when the freezer broke over summer. You have to keep her alive by giving her new food every few days (replating). 
 
-![](../images/wk04_thebacteria.jpg)*Serratia Marcensis at the biolab, Loes Bogers, 2019*
+![](../images/wk04_thebacteria.jpg)*Serratia marcenscens at the biolab, Loes Bogers, 2019*
 
 ###Growing media, or: what to feed Serratia
 Plate some growing media mixed with crunchy(!) peanut butter. Nuts and seeds can do wonders with some bacteria. We prepared these growing media: 
@@ -267,8 +267,8 @@ We measure the ingredients with a precision scale (stabilize before using), by p
 
 Then we sterilized the food bottles. The lid should be loose! Otherwise it can explode in the pressure cooker. You close them after sterilizing. 
 
-*Autokleeftape!*
-Stick a bit of autokleeftape to the top. It has diagonal lines that turn dark if you sterilized correctly. Handy....
+*Autoclave tape!*
+Stick a bit of autoclave tape to the top. It has diagonal lines that turn dark if you sterilized correctly. Handy....
 
 *Handling the pressure cooker*
 Close the lid, seal the lid (locking it), and turn the knob to position 2. When the little pin firmly comes *all the way out*, the cooker is under pressure and you can start the timer for 15 mins.
@@ -281,7 +281,7 @@ We each got a piece of silk that we folded or crumpled up to create patterns/sym
 
 ![](../images/wk04_folding.gif)<br>*My folding improvisation, Loes Bogers, 2019*
 
-Put the fabrics in **glass petri dishes**, or in a heat-resistant **autoplate bag**. Again, stick some autokleeftape on to assess whether it sterilized correctly. Sterilize for at least 15 mins under pressure in the pressure cooker. 
+Put the fabrics in **glass petri dishes**, or in a heat-resistant **autoclave bag**. Again, stick some autokleeftape on to assess whether it sterilized correctly. Sterilize for at least 15 mins under pressure in the pressure cooker. 
 
 ###Plating
 

docs/assignments/week06.md

-#6. Biofabricating
+# 6. Biofabricating
 
 ![](../images/wk06_favresults.jpg)*Some results of the week. Left: potluck foam with and without egg shell powder as filler, middle & left: piercing alginate plastics, Loes Bogers, 2019*
 
-*Warning: this is a long read. We did a crazy amount of techniques this week. Summing it up:
+*Warning: this is a long read. We did a crazy amount of techniques this week. Summing it up: "Eggs eggs eggs! All I want is eggs!"  – [Trixie Mattel & Ginger Minj](https://www.youtube.com/watch?v=FE2Kp4GVBPs))
 
-> Eggs eggs eggs! All I want is eggs! 
-> – [Trixie Mattel & Ginger Minj](https://www.youtube.com/watch?v=FE2Kp4GVBPs))
+![](../images/wk06coffeemycelium.jpg)*Attempt to grow mycelium on coffeeground: contaminated (left), and looking quite well (right), Loes Bogers, 2019*
 
 ##Results and conclusions
 
@@ -180,6 +179,9 @@ The natural dye faded quite a lot in terms of saturation and definition: it beca
 
 ![](../images/wk06_gelatin_silicon_resin_3dys.jpg)*bioresin and biosilicon matured for 4 days (left to right: acidic cabbage ink, neutral ink, alkaline ink. Time shows we're not all that different at the core, in the end. And we all get old, unless we're made of plastic, Loes Bogers, 2019*
 
+**Molding**
+The bioresin started to grow mold after a week. I'd kept them pressed flat so they didn't get a lot of fresh air. The silicone still looks fine even under the same conditions. 
+
 
 ###Gelatine-based biofoam with acrylic paint and food coloring
 
@@ -214,7 +216,7 @@ The thickness of the mixture even before curing allows you to create really nice
 
 When drying, *some* of these morphed a lot, curling up at the sides and getting a slightly dried out look. All samples shrank in thickness and size. What I don't understand completely is why they shrank different amounts, and why some stayed flat and other curled a lot. 
 
-The red sample colored with food coloring shrank less than the ones with acrylic paint. Interestingly, there was *one* that kept its shape really well so I was able to measure the exact amount of shrinkage. This was one that had a pretty even mix between red and blues poured in dots across the surface. Perhaps the reason why it behaved differently? When I noticed this one had not gotten rigid and curly like the other ones, started to press it underneath heavy books to keep it flat for the rest of the curing process (below).
+The red sample colored with food coloring shrank less than the ones with acrylic paint. The dotted one kept its shape really well so I was able to measure the exact amount of shrinkage. This was one that had a pretty even mix between red and blues poured in dots across the surface. Cecilia had put a weight on it earlier, and when I noticed the others had started to curl up I kept that one pressed until a week later. 
 
 The food coloring in the foam did not leave stains (unlike the other places I've used it later on....)
 
@@ -222,6 +224,9 @@ The food coloring in the foam did not leave stains (unlike the other places I've
 
 The thicker foam buds (from the mixing pots) feel squishy and soft. The thinner samples got more rigid, much less squishy but still a bit flexible.
 
+*Changes in rigidity after 5 days*
+The way these feel changed a lot of the course of a week too. I'd kept them in a box in my bag for two days after they'd dried in air for 5 days. They'd become pretty rigid. After two days in the box they seemed a little softer again. 
+
 ###Potluck gelatine-based foam with and without egg shell filler
 
 You can keep adding liquid and heat and keep manipulating gelatine-based plastics (it's not heat- or waterproof), so we made a potluck gelatine left-over pot. It turned out to be very foamy so there was probably a good amount of foam leftovers in. 
@@ -285,7 +290,7 @@ Wow, these just turned into coral pretty much. The thinner samples shrank a lot
 
 Rice flour and tapioca can be mixed into the recipe raw and they will dissolve without further cooking. Dissolve it into a mixing pot using a little bit of liquid before pouring the rest of the liquid in. Otherwise for sure it will get lumpy (like you would when cooking with starches to make a sauce for example). 
 
-I forgot to do this when using the wheat flour and got huge lumps. I thought it was a total fail but actually turned into a wonderful blistery textured surface that I released from the mixing pot and treasured anyway.
+I forgot to do this when using the wheat flour and got huge lumps. I thought it was a total fail but actually turned into a wonderful blistery textured surface that I released from the mixing pot and treasured anyway until it started getting moldy. This one stayed wet for days. 
 
 **Texture and feeling**
 
@@ -342,11 +347,11 @@ We also made a leftover pot with tapioca that we mixed into the recipe and then
 
 Bea and I cooked another batch of gelatine/agar foil to make some thin sheets we could play with and try different fabrication techniques on. Like making interlocking modules with the laser cutter. We cooked a batch that we dyed with food coloring. The stove didn't quite reach 80 degrees like it should so it took quite long to thicken. You can turn up the cooker slightly higher just making sure it's not bubbling and boiling (then I turn it down again, and go up and down like that). 
 
-We cast one sheet while the mix was still very liquid, which turned into a beautiful lightweight foil with a very shiny back. (Video's below shot by Bea, while Cecilia is releasing the foil. 
+We cast one sheet while the mix was still very liquid, which turned into a beautiful lightweight foil with a very shiny back. A bit similar to the transparent film used to wrap flowers. (Video's below shot by Bea, while Cecilia is releasing the foil. 
 
 <iframe width="560" height="315" src="https://www.youtube.com/embed/d6igE9Y31r4?controls=0" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
 
-The other sheet was poured when the mixture was properly thickened and became a beautiful strong and shiny sheet. WHOA! They even sound nice. Satisfaction all around.
+The other sheet was poured when the mixture was properly thickened and became a beautiful strong and shiny sheet. Thicker than the first one. WHOA! They even sound nice. Satisfaction all around.
 
 <iframe width="560" height="315" src="https://www.youtube.com/embed/ZAViJqdUQqk?controls=0" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe> 
 
@@ -495,7 +500,7 @@ I was a bit unsuccessful in making sheets so played more with blobs and things.
 
 ##Growing Mycelium or: surfing the Wood Wide Web
 
-In this crazy packed week, we also went back to the biolab where Maud and Sarah presented their work on growing Mycelium. Thanks girls! Really awesome research. 
+In this crazy packed week, we also went back to the biolab where Maud and Sarah presented their work on growing Mycelium. Thanks girls! Really awesome research. Maud documents her process and findings on [this webpage](https://maudb.gitlab.io/dok/projects/grow-mycelium/).
 
 **Mycelium basics: the Internet of the forest**
 
@@ -543,9 +548,15 @@ We then inoculated the mycelium inside a sterile bubble (see biochrome week abou
 
 ![](../images/wk06_inoculating.jpg)*Meanwhile, in the sterile bubble...Loes Bogers, 2019*
 
-We'll see how it turns out. After a week you can see if it's growing. After two weeks it's probably finished its food and you can add more. 
+We'll see how it turns out. After a week you can see if it's growing. After two weeks it's probably finished its food and you can add more. Seal with parafilm and incubate for 5-10 days. You can add more food with a sterile syringe (squeeze it underneath the mycelium) after 5-10 days to continue growing it. 
+
+**Results after 10 days**
+
+My results were very mixed. I contaminated my large petri dish during inoculation and it didn't grown properly at all, but the four petri dishes of coffee ground I inoculated were a bit better. Two were looking nice and white and fluffy, but they aren't growing very fast. Two of them were contaminated which you can see by the color. It's nasty green, eww. It also doesn't smell great here right about now. I flushed the mycelium in broth down the toilet and cleaned the dish for a new attempt. Bea and Bela have beautiful pristine mycelium growing in their broth though! Well done girls. 
+
+![](../images/wk06coffeemycelium.jpg)*Attempt to grow mycelium on coffeeground: contaminated (left), and looking quite well (right), Loes Bogers, 2019*
 
-Seal with parafilm and incubate for 5-10 days. You can add more food with a sterile syringe (squeeze it underneath the mycelium) after 5-10 days to continue growing it. 
+![](../images/wk06brothmycelium.jpg)*Mycelium in nutrient broth: not really taking root, but something else is.... Loes Bogers, 2019*
 
 
 
@@ -739,6 +750,9 @@ There are so many out there. They are so interestinggggg.
 * Materfad Barcelona
 * Surfacematter London
 * Materio
+* Materiom
+* The Institute of Making
+* Mlab, Aarhuns
 * many many more, see slides. 
 
 These are not only about the materials but also about finishings!

docs/assignments/week11.md

 # 11. Implications and applications
 
-This week I worked on defining my final project idea and started to getting used to the documentation process.
+>Our lives are henged round with systems of classification, limned by standard formats, prescriptions, and objects. Enter a modern home an you are surrounded by standards and categories spanning the color of paint on the walls and in the fabric of the furniture, the types of wires strung to appliances, the codes in the building permits allowing the kitchen sink to be properly plumbed and the walls to be adequately fireproofed. Ignore these forms at your peril – as a building owner, be sued by irate tenants; as an inspector, risk malpractice suits denying your proper application of the ideal to the case at hand; as a parent, risk toxic paint threatening your children. To classify is human.
+>
+> – Bowker & Star, *Sorting Things Out: Clasification and its Consequences*, 2000: p. 1
 
-## Research
+## Lost in Material Archives
 
-"Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum."
+<iframe src="https://docs.google.com/presentation/d/e/2PACX-1vSkdPoDWi5P-JfrYTUDtJelboAx5EKclvjIxfGMPSLR_QhpJwobThQY6XcrvoG9nlWe-opwY5jTLvgZ/embed?start=false&loop=false&delayms=15000" frameborder="0" width="960" height="749" allowfullscreen="true" mozallowfullscreen="true" webkitallowfullscreen="true"></iframe>
 
-> "Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum."
 
-## Useful links
+## References
 
-- [Jekyll](http://jekyll.org)
-- [Google](http://google.com)
-- [Markdown](https://en.wikipedia.org/wiki/Markdown)
+Bowker, G. and Star, S. L., *Sorting Things Out: Classification and Its Consequences*, Cambridge/London, MIT Press: 2000 (1999).
 
+Dekker, A. (ed.) *Lost and Living (in) Archives: Collectively Shaping New Memories*, Amsterdam, Valiz: 2017.
 
-## Code Example
+Derrida, J. *Archive Fever: A Freudian Impression*. Chicago: University of Chicago Press, 1996 (1995). 
 
-Use the three backticks to separate code.
-
-```
-// the setup function runs once when you press reset or power the board
-void setup() {
-  // initialize digital pin LED_BUILTIN as an output.
-  pinMode(LED_BUILTIN, OUTPUT);
-}
-
-// the loop function runs over and over again forever
-void loop() {
-  digitalWrite(LED_BUILTIN, HIGH);   // turn the LED on (HIGH is the voltage level)
-  delay(1000);                       // wait for a second
-  digitalWrite(LED_BUILTIN, LOW);    // turn the LED off by making the voltage LOW
-  delay(1000);                       // wait for a second
-}
-```
-
-
-## Gallery
-
-![](../images/sample-photo.jpg)
-
-## Video
-
-### From Vimeo
-
-<iframe src="https://player.vimeo.com/video/10048961" width="640" height="480" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
-<p><a href="https://vimeo.com/10048961">Sound Waves</a> from <a href="https://vimeo.com/radarboy">George Gally (Radarboy)</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
-
-### From Youtube
-
-<iframe width="560" height="315" src="https://www.youtube.com/embed/jjNgJFemlC4" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
-
-## 3D Models
-
-<div class="sketchfab-embed-wrapper"><iframe width="640" height="480" src="https://sketchfab.com/models/658c8f8a2f3042c3ad7bdedd83f1c915/embed" frameborder="0" allow="autoplay; fullscreen; vr" mozallowfullscreen="true" webkitallowfullscreen="true"></iframe>
-
-<p style="font-size: 13px; font-weight: normal; margin: 5px; color: #4A4A4A;">
-    <a href="https://sketchfab.com/models/658c8f8a2f3042c3ad7bdedd83f1c915?utm_medium=embed&utm_source=website&utm_campaign=share-popup" target="_blank" style="font-weight: bold; color: #1CAAD9;">Dita&#39;s Gown</a>
-    by <a href="https://sketchfab.com/francisbitontistudio?utm_medium=embed&utm_source=website&utm_campaign=share-popup" target="_blank" style="font-weight: bold; color: #1CAAD9;">Francis Bitonti Studio</a>
-    on <a href="https://sketchfab.com?utm_medium=embed&utm_source=website&utm_campaign=share-popup" target="_blank" style="font-weight: bold; color: #1CAAD9;">Sketchfab</a>
-</p>
-</div>
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+Lévi-Strauss, C. *The Raw and the Cooked* [Le Cru et le Cuit, 1964]. Chicago: Chicago University press, 1969.
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