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embedded presentatino

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# 11. Implications and applications
This week I worked on defining my final project idea and started to getting used to the documentation process.
>Our lives are henged round with systems of classification, limned by standard formats, prescriptions, and objects. Enter a modern home an you are surrounded by standards and categories spanning the color of paint on the walls and in the fabric of the furniture, the types of wires strung to appliances, the codes in the building permits allowing the kitchen sink to be properly plumbed and the walls to be adequately fireproofed. Ignore these forms at your peril – as a building owner, be sued by irate tenants; as an inspector, risk malpractice suits denying your proper application of the ideal to the case at hand; as a parent, risk toxic paint threatening your children. To classify is human.
>
> – Bowker & Star, *Sorting Things Out: Clasification and its Consequences*, 2000: p. 1
## Research
## Lost in Material Archives
"Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum."
<iframe src="https://docs.google.com/presentation/d/e/2PACX-1vSkdPoDWi5P-JfrYTUDtJelboAx5EKclvjIxfGMPSLR_QhpJwobThQY6XcrvoG9nlWe-opwY5jTLvgZ/embed?start=false&loop=false&delayms=15000" frameborder="0" width="960" height="749" allowfullscreen="true" mozallowfullscreen="true" webkitallowfullscreen="true"></iframe>
> "Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum."
## Useful links
- [Jekyll](http://jekyll.org)
- [Google](http://google.com)
- [Markdown](https://en.wikipedia.org/wiki/Markdown)
##
## Code Example
Use the three backticks to separate code.
>No archive is entirely stable or fixed (Dekker 2017: 12)
```
// the setup function runs once when you press reset or power the board
void setup() {
// initialize digital pin LED_BUILTIN as an output.
pinMode(LED_BUILTIN, OUTPUT);
}
What
// the loop function runs over and over again forever
void loop() {
digitalWrite(LED_BUILTIN, HIGH); // turn the LED on (HIGH is the voltage level)
delay(1000); // wait for a second
digitalWrite(LED_BUILTIN, LOW); // turn the LED off by making the voltage LOW
delay(1000); // wait for a second
}
```
Why
Archives are not neutral but have loaded histories and embody power imbalances still at work today. The seemingly simple categories and oppositions have a long history of being used to demarcate levels of civilization in the context of colonialism. Structuralist anthropologist Claude Levy-Strauss's *The Raw and The Cooked* for example (1964) described classifications as a device for understanding the cultures of others – categories such as the raw and the cooked have been clues to the core organizing principles for colonial Western understandings of "primitive" culture (Bowker & Star 1995: 3), as he discussed in his seminal study of Amerindian mythologies.
## Gallery
![](../images/sample-photo.jpg)
## Video
### From Vimeo
Who
<iframe src="https://player.vimeo.com/video/10048961" width="640" height="480" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
<p><a href="https://vimeo.com/10048961">Sound Waves</a> from <a href="https://vimeo.com/radarboy">George Gally (Radarboy)</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
When
### From Youtube
How
<iframe width="560" height="315" src="https://www.youtube.com/embed/jjNgJFemlC4" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe>
## 3D Models
<div class="sketchfab-embed-wrapper"><iframe width="640" height="480" src="https://sketchfab.com/models/658c8f8a2f3042c3ad7bdedd83f1c915/embed" frameborder="0" allow="autoplay; fullscreen; vr" mozallowfullscreen="true" webkitallowfullscreen="true"></iframe>
<p style="font-size: 13px; font-weight: normal; margin: 5px; color: #4A4A4A;">
<a href="https://sketchfab.com/models/658c8f8a2f3042c3ad7bdedd83f1c915?utm_medium=embed&utm_source=website&utm_campaign=share-popup" target="_blank" style="font-weight: bold; color: #1CAAD9;">Dita&#39;s Gown</a>
by <a href="https://sketchfab.com/francisbitontistudio?utm_medium=embed&utm_source=website&utm_campaign=share-popup" target="_blank" style="font-weight: bold; color: #1CAAD9;">Francis Bitonti Studio</a>
on <a href="https://sketchfab.com?utm_medium=embed&utm_source=website&utm_campaign=share-popup" target="_blank" style="font-weight: bold; color: #1CAAD9;">Sketchfab</a>
</p>
</div>
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## References
Bowker, G. and Star, S. L., *Sorting Things Out: Classification and Its Consequences*, Cambridge/London, MIT Press: 2000 (1999).
Dekker, A. (ed.) *Lost and Living (in) Archives: Collectively Shaping New Memories*, Amsterdam, Valiz: 2017.
Derrida, J. *Archive Fever: A Freudian Impression*. Chicago: University of Chicago Press, 1996 (1995).
Lévi-Strauss, C. *The Raw and the Cooked* [Le Cru et le Cuit, 1964]. Chicago: Chicago University press, 1969.
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