@@ -76,17 +76,17 @@ The experimentation process began with creating natural dyes from rose petals an
## **BIO FABRICATION**
In parallel, bio-material experiments involved embedding rose petals and leaves in agar agar and alginate, leading to the discovery of optimal polymer combinations for durable and visually appealing textiles. Inspired by Damien Hirst's vibrant and intricate paintings, these experiments sought to replicate similar textures and patterns using natural materials. Initially, agar agar was used for its biodegradability and gel-like consistency, but it was found that alginate, a polymer derived from brown algae, provided a more suitable medium for creating flat, thin textiles ideal for burial garments.
In parallel, bio-material experiments involved embedding rose petals and leaves in agar agar and alginate, leading to the discovery of optimal polymer for durable and visually appealing textiles. Inspired by Damien Hirst's vibrant paintings, these experiments sought to replicate similar textures using roses. Initially, agar agar was used for its biodegradability and gel-like consistency, but I realized that alginate, a polymer derived from brown algae, provided a more suitable medium for creating flat, thin textiles ideal for burial garments.
To preserve the fresh colors of the rose petals and prevent decay, I scattered the petals on top of the alginate layer. This method ensured that the petals did not come into direct contact with water, maintaining their vibrant hues for a longer period. In contrast, the leaves were soaked in the alginate, as their combination with the petals contributed more nutrients to the soil upon decomposition.
To preserve the fresh colors of the rose petals and prevent decay, I scattered the petals on top of the alginate layer. This method not only creates a velvety texture but also ensured that the petals did not come into direct contact with water, maintaining their vibrant hues for a longer period. In contrast, the leaves were soaked in the alginate, as their combination with the petals contributed more nutrients to the soil upon decomposition.
The resulting textiles not only captured the visual essence inspired by Hirst's paintings but also offered a practical and environmentally friendly solution for burial garments. The use of alginate ensured that the textiles were flat and manageable, while the careful placement of petals and leaves provided both aesthetic appeal and ecological benefits, enriching the soil as they decomposed.
The resulting textiles not only captured the visual essence inspired by Hirst's paintings but also offered an environmentally friendly solution for burial garments. The use of alginate ensured that the textiles were flat and manageable, while the careful placement of petals and leaves provided both aesthetic appeal and ecological benefits, enriching the soil as they decomposed.
## **DESIGN**
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@@ -98,11 +98,16 @@ Inspired by historical burial garments and contemporary fashion design, the proj
### **PROCESS VIDEO**
My approach is both circular and zero-waste, ensuring every part of the rose is utilized effectively. You can follow the steps in the video below:
First, I carefully sorted the rose petals and leaves, dehydrating them to prevent rot and extend their usability. Then, I created a dye bath using the rose leaves, which I used to dye natural fibers, maximizing the utility of the plant materials. The leftover dye water was repurposed to cast alginate onto wool, integrating sustainability into the textile creation process. Finally, I scattered the rose petals on top of the alginate to create a velvety fabric, which I used to craft burial garments. This method not only produces beautiful, biodegradable textiles but also minimizes waste.
Using a heating blanket, the alginate textile cured within four days. Once cured, the fabric can be handled like any conventional material; it can be cut with standard scissors and sewn with a sewing machine.
