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Commit 98263b70 authored by Bérénice Courtin's avatar Bérénice Courtin
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Update docs/assignments/week02.md

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...@@ -20,8 +20,8 @@ I wanted to question this idea of the human becoming more and more as a machine. ...@@ -20,8 +20,8 @@ I wanted to question this idea of the human becoming more and more as a machine.
Another inspiration for me is Gisèle Vienne. She is an artist that inspired me in my research about humanized objects. She works with puppets but not in the sense of a puppeteers anymore, more as a reflection of humans being puppets themselves. Another inspiration for me is Gisèle Vienne. She is an artist that inspired me in my research about humanized objects. She works with puppets but not in the sense of a puppeteers anymore, more as a reflection of humans being puppets themselves.
![describe what you see in this image](../images/week02/maxresdefault-6.jpg){ width=400 align=right } ![describe what you see in this image](../images/week02/maxresdefault-6.jpg){ width=400 }
![describe what you see in this image](../images/week02/Capture d’écran 2022-10-02 à 17.31.09.png){ width=400 align=left } ![describe what you see in this image](../images/week02/Capture d’écran 2022-10-02 à 17.31.09.png){ width=400 }
I got inpired by the octopus and its behaviour and relation to humans, for a character I created and embodied, by making a costume. I became a sort of octopus alien, in a performance we did, that was a Freak Show, directed by Philippe Wricht. I then made a puppet that represented this character, from having the same costume. I got inpired by the octopus and its behaviour and relation to humans, for a character I created and embodied, by making a costume. I became a sort of octopus alien, in a performance we did, that was a Freak Show, directed by Philippe Wricht. I then made a puppet that represented this character, from having the same costume.
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